Mame Kurogouchi Fall 2025 ReadytoWear: Beauty in All Forms

Paint & pesticide Half mask respirator with flexible face piece material provides an excellent face-to-respirator seal which improves fit and comfort. Included long-life pre-filters are approved to the Niosh P95 class, so they are at least 95% efficient against oil- and non-oil based contaminants, and are oil-proof so they have No time use limitation. This respirator is Certified by Niosh as an R95/OV respirator. Latex-free.Flexible face piece material provides an excellent face-to-respirator seal which improves fit and comfortLong-Life pre-filters are approved to the NIOSH P95 Class, so they are at least 95% efficient against oil- and non-oil based contaminants, and are oil-proof so they have no time use limitationHygiene cover helps keep dirt out of mask when not in use and helps keep shape of seal intactThis respirator is certified by NIOSH as an P95/OV respirator. It has an apf factor of 10.Two-piece Neck strap for easier donning/doffingWarranty: 90 Day Woot Limited WarrantyShipping Note: Shipping to Alaska, Hawaii, and PO Boxes is not available for this item

Mame Kurogouchi Fall 2025 ReadytoWear: Beauty in All Forms

Antonio Melani Chloe Genuine Leather Pleated Midi Skirt

Final Sale Philipp Plein skeleton-print track top grey/orange cotton-blend skeleton print logo plaque front zip fastening classic hood long sleeves elasticated cuffs elasticated hem Composition Outer: Cotton 88%, Polyester 12% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Wearing The model is 1.85 m wearing size M Product IDs FARFETCH ID: 17353529 Brand style ID: SABCMJJ0366PJO002N

Peacoats

What is the common point between exquisite Japanese lacquerware, rice mochi and a contact lens flattened between the pages of a notebook? All three are equally interesting to designer Maiko Kurogouchi, who folded them into her ongoing exploration of shape influenced by the 1978 book titled “Nihon no Katachi,” or “The Shapes in Japan” in English. While the designer continued to build on her repertoire of sculptural shapes, there was nothing austere about them in the fall’s materials or fits. The curve of a bowl’s lip and its red-and-black traditional coloring turned into a color-blocked dress composed of jacquard and silk parts connected by gauzy lace. The way a mochi turns into a voluminous puff when grilled informed the pillowy volumes of padded coats that were equal parts comforting and ceremonial. Sensuality emerged from a pucker that ran down the back of a silk gown, skimming the body’s volumes without constraining. Meanwhile, 3D-knitted volumes achieved the visual oomph of exacting cuts with gentle yield better suited to everyday wear. You May Also Like Elsewhere, Kurogouchi referenced suminagashi, a traditional water-and-ink marbling technique at risk of disappearing in Japan, adding graphic oomph to intricate pleats and delicately dip-dyed fuzzy knits. As for those contact lenses, the delicate blue hue of their material was used in the color palette. Conversations with Kurogouchi can attune the culturally curious to her magpie approach to the world. But it’s her impeccable execution and eye for flattering shapes that turns them into devotees, no lengthy explanation needed. 

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